Eros the bittersweet an essay

Students of words, like lovers, are seekers, wooers, stretching out in desire for the other. Union results in annihilation. This epic sweep of generality is coupled with meticulous analysis of individual texts as they survive in the original Greek. Alphabetization, Carson says, is erotic, and it is no coincidence that capricious Eros was first sung by these Greek poets.

Unlock This Study Guide Now Start your hour free trial to unlock this 9-page Eros the Bittersweet study guide and get instant access to the following: And yet somehow we are meant to admire it as a kind of performance in itself, and to set aside our doubts and to believe based on the facility of that performance, evidence becoming and old-fashioned and largely irrelevant afterthought.

This book has flashed me back to a career in a set of disciplines that would accept virtually any theory, provided that it was discredited in its original and proper disciplinary home. Carson concentrates, rather, on a detail in the background, a In this sense, even the claims about the Greeks are too broad.

Apparently the one thing everyone can agree upon is that a large claim is always better than a small, precise, specific claim.

The development of the Greek alphabet, with its consonants as well as vowels, is thus significantly different from earlier syllabaries or pictographic writing systems. Edges and boundaries of the self are felt only in desire, the outreach of self to other. While erotic desire insists on the similarity and difference of two lovers, puns affirm the same for two words.

Eros the Bittersweet: An Essay

Oh, and let us not forget argument from authority, the appeal to performances past. Vowels are moving air; consonants give edges to words.

In the preface, a character from Franz Kafka chases spinning tops for the sheer delight of the chase. And yet they are making the same type of universal claim. Wind, wings, and breath bind the complex of Eros and language.

The impact of this consciousness of division was particularly acute for the generation of Greek poets who first sustained its assault.

The author appears to believe that she has stumbled upon a deep psychological, even ontological, truth which transcends all context and time, as well as any counter-examples. Puns, like desire, increase awareness of edges.

It is deeply unfortunate that thinkers such as these have the care of the intellectual development of our young. Understanding of her argument would have been assisted greatly by a reproduction of the painting itself, for her point of interest is not the familiar, luminous foreground group of a flaxen-haired infanta surrounded by her attendants.

While Sappho and Archilochus inherited the oral tradition of Greek epic poetry, the lyric poets were estranged from that past by the development of the Greek alphabet and written words. Concentration on the hard-edged written word divided the poet from the immediacy of the living world.

My own personal experience is an important counter-example, yet I feel sure the author would without hesitation dismiss my ability to access my own subjective experience as quickly as she dismisses Hephaistos and Aristophanes as uncredible witnesses.

The entire section is 2, words. The lover inevitably discovers that complete union of two individual selves is never possible, that two lovers can never dissolve into one.

Eros the Bittersweet, significantly, has no numbered chapters, only coyly titled subdivisions, thirty-four in all, many accompanied by quotations from sources as diverse as Queen Victoria and Roland Barthes.

The sweetness of desire is doubled by the bitterness of loss.

Desire requires a three-part structure: Aside from everything else, the narcissism of this approach makes me livid. One vein, much stronger in the early pages of the essay, is its generalizing bent: This is an enormous claim, and it would take something verging on religious faith to countenance it based on what it presented here.

All lovers feel as Sappho felt. The scholar, Carson assures us, is also engaged in a chase after spinning tops, and delights in the play of metaphor, while attempting to fix that movement in formal study.

They resemble, too, current simplistic constructions of identity and culture in the form of identity politics in which group trumps all.Eros the Bittersweet Book Description: The insights presented in the volume are many and wide-ranging, recognizably in tune with the subtlest modern discussions of desire (such as triangulation.

or loving what others love), yet offering new solutions to old problems, like the proper interpretation of Plato's Phaedrus.

Extra resources for Eros the Bittersweet: An Essay. Sample text. The process of composition is a way of finding out. Take the four flutes of her Quartet.

They start to talk to each other, at first with single notes and pairs, and gentle music begins to unfold. But this is not it.

Eros the Bittersweet Analysis

They start again, exactly as before, and a different musical. Welcome to Eros the Bittersweet, the website of erotica writers Bittersweet Eros and Lacey DeLeye. The site presents our writing, both fictional and non-fictional.

All our writing, in descending order of publication, appears in the blog. The menu also contains separate categories for our stories and our essays. Eros the bittersweet: an essay User Review - Not Available - Book Verdict This slim volume consists of numerous brief chapters on various aspects of the Greek concept of Eros, particularly as propounded in lyric poetry (especially that of /5(2).

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If you are pursuing embodying the ebook by Anne Carson Eros The Bittersweet: An Essay (Princeton Legacy Library) in pdf appearing, in. Nov 15,  · Eros the Bittersweet is an odd, neat, duplicitous little book, written with double purposes for a double audience.

One vein, much stronger in the early pages of the essay, is its generalizing bent.

Eros the bittersweet an essay
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